Koramangala Residence, Bangalore

The Matsya and Kurma avatars of Vishnu, and the Hansa Boita, draw from distinct strands of Odisha’s religious and maritime history. These recurring motifs from Boito’s visual vocabulary are depicted in Dhokra beadwork, Habaspuri silk and Kotpad cotton.
Boita frame close up
Kotpad placemats woven in Koraput, featuring motifs inspired by nature and everyday life of the Mirgan community. Made in cotton using natural dyes extracted from the roots of the aal tree.
Extra weft machari (fish) motifs that symbolise prosperity and a life lived in abundance.
Palanquin Bearers depict a ceremonial procession.
A Ringa bolster, adapting the striped textile for contemporary interiors.
A forest landscape in fragmented vertical panels, interpreted through an assemblage of Kotpad textiles and Dhokra elements.
Kotpad blue grey wall textile close up
Asana textile in Khandua silk, with beadwork linking the panels.
Large machari (fish) swimming across Khandua silk.
Jagannath represented through his most recognisable feature: his enormous, unblinking eyes, in Khandua silk.
Cushions in black Kotpad cotton, embellished with beadwork.
A Khandua cushion set in Boito’s distinctive interplay of warm tones and bright colour.
Pattachitra wall painting
A contemporary interpretation of Pipili appliqué, depicting life along the Puri coast.
A creeping vine of resilient Sabai grass, woven over a wooden cabinet.
The art of taking it slow: Dhokra figures at leisure, in the spirit of Odisha’s easygoing pace.

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